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I'm kind of an undistilled-reality type guy, visually speaking, so don't expect me to cream over the latest animation technique.
I can take or leave Japanese anime (and Japanese anime snobs tick me off). I was never a fool for Disney-style paint-cell animation. I've always liked but never quite loved those bursting colors and needle-sharp detail in those PDI/Pixar-generated features (you know ...Shrek, Shark Tale, etc.) And while I admired those CG compositions in Final Fantasy, they never made me want to jump up and down.
But I sat up, took notice and felt I'd seen something really different and noteworthy after watching a few demo clips yesterday from the forthcoming Tom Hanks/Robert Zemeckis film The Polar Express (Warner Bros., 11.10).

Hanks, the film's star-producer, and Zemeckis, the director, walked on stage at the swanky Steve Ross theatre on the Warner Bros. lot around 12:15 pm. They took turns introducing the clips and then took everyone through a tutorial about how The Polar Express found its unique visual signature. Then they answered questions for 30 minutes or so. The presentation took about 65 minutes.
The big visual technology used to compose this super-expensive family flick (Variety says it cost $165 million) is a device called "performance capture," which is similar to "motion capture" technology except for its focus on facial expressions.
Hanks does a Peter Sellers in The Polar Express -- he performs five separate roles, including the lead part of an eight year-old boy. No, he's not doing another Big. He portrayed the kid during filming in every actorly way imaginable, but then it was all digitally transferred into this computerized digi-kid character.
The story is basically about the kid being woken up the night before Christmas by the Polar Express (a big 1940s-era train) pulling up in front of his house. He gets on and it takes him and a bunch of other kids to the North Pole and Santa's headquarters.
I don't know how the rest of it plays, but it's based on a popular 18-page book by Chris Van Allsburg that came out in '85.
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