>>            

Read These First
One Hand Clapping
By Chris Ryall
RSS Channel
For anyone with an RSS Newsreader
The Old Site
From the Movie
Film Columns
Film Flam Flummox
By Michael Dequina
From Print to Screen
By Matthew Savelloni
The Good, The Bad & The Ugly
By Matt Singer
International Intrigue
By Alison Veneto
Lights! Cameras! Zombies
By John McLean
Nocturnal Admissions
By D.K. Holm
Strange Impersonation
By Kim Morgan
Trailer Park
By Christopher Stipp
Theater
From Screen to Stage
By Kevin Hylton
DVD
DVD Diatribe
By D.K. Holm
DVD Late Show
By Christopher Mills
Poop Shoot Entertainment
Game On!
By Ian Bonds
The Inner View
Celebrity Interviews
Kentucky Fried Rasslin'
By Scott Bowden
Mail Shoot
By Us and You!
Squib Central
By Joshua Jabcuga
Toy Box
By Michael Crawford
TV Pilot Review
By Chris Ryall
TV Recommendations
By Chris Ryall
Movie Poop Shoot Web Comics
Spook'd
By Stevenson and Damoose
Brat-Halla
By Stevenson and Damoose
Power Hour
By Odjick and Austin
Enchanted Mayhem
By DeBerry and Cunard
Femme Noir
By Mills and Staton
Captain Capitalism
By Brad Graeber
Comics
All Ages
By Tracy (& Shelby & Sarah) Edmunds
Comics 101
By Scott Tipton
Preachin' from the Longbox
By Britt Schramm
Should It Be a Movie
By Marc Mason
Music
Music for the Masses
By M.C. Bell
Books
Back to Movie Poop Shoot
Home - back to the Poop Shoot


Week of March 13, 2006

You can take "The Peacemaker," "Deep Impact," and "The Tuxedo." We'll take "Gladiator," "American Beauty" and anything else that didn't suck.

Emilio's 17

Yeah, like he needed all that overpriced crap anyway...

This lawsuit's going to make 'House Party' look like 'House Party Two!'

I told you... don't call me SENIOR!!

Maybe this is all a bad dream too?

Thanks Sharon, but I think I'll wait until this one comes out on DVD (so I can freeze frame of course)

There is absolutely, positively no nepotism in Hollywood. None.

You're good, baby, I'll give you that... but me? I'm magic.

This band will go down like a lead balloon

Well, Goodbye there Children...

They can't sell the Capitol Records building! What will be left to destroy in the next crappy 'end of the world' movie?

Same old Courtney - still sponging off Kurt

Panic on the streets of Austin

You're a fat, Botox faced, wig-wearing ninny! Oh yeah? Well your band has a dirty H addict as a lead singer!

Black Sabbath, Blondie, Miles Davis, The Sex Pistols, Lynyrd Skynyrd Enter Rock Hall



01 THE BREAK-UP $39.17
$12759/av

02 X-MEN: THE LAST STAND $34.02
$9159/av

03 OVER THE HEDGE $20.65
$5170/avg

04 THE DAVINCI CODE $18.61
$4953/avg

05 MISSION: IMPOSSIBLE III $4.68
$1756/avg

06 POSEIDON $3.49
$1283/avg

07 RV $3.20
$1469/avg

08 SEE NO EVIL $2.04
$1607/avg

09 AN INCONVENIENT TRUTH $1.36
$17615/avg

10 JUST MY LUCK $855K
$892/avg









SHOOT-BACK HERE | E-MAIL THE AUTHOR

A Night Out

So, every now and then I get an invite to some unique events and figured I'd share them with everyone. The girlfriend is the one with the connections to these things...I'm usually just the "...AND GUEST". Which is fine with me, as I can usually take in the proceedings (and the food) without having to be too active a participant.

Last Thursday, June 12, was the American Film Institute's LIFE ACHIEVEMENT AWARD: A TRIBUTE TO TOM HANKS gala. Taped for broadcast, the actual show will air on the USA Network on June 24.

The event was being held at the new Kodak Theater, the home of the Oscars that recently opened at the new Hollywood and Highland complex. Which is maybe a fifteen-mile journey from Santa Monica, where I was. And in L.A., on a night of an event after work, that means a two-hour trek. I'll spare you a re-enactment of the frustrations of that drive, and pick up the action after I turn the car over to the valets.

The theater itself is on the property of a large, upscale outdoor shopping mall, which seem to be springing up in L.A. with surprising regularity lately.

Not being a real part of the glitterati, it's nevertheless still kind of a thrill when our "V.I.P." status gets us whisked by the crowd, standing by for a peek at this celebrity or that. Me, in my black suit while most of the attendees adhered to the required "black tie" dress, probably didn't deserve that, but it's nice, nonetheless.

Our status gets us upstairs where the balcony seats are (at a theater like this, it's basically where the "steerage-class" passengers sit. Which made it somehow gratifying that gossip columnist Cindy Adams was in there with us, and not milling around downstairs with Tom Hanks and crew.

The doors opened soon after eight, and the theater itself is amazing. Some places, like the Shrine Auditorium, look so nice on TV that you wonder why the reality is such a rathole. But this theater, barely a year old, is as luxurious a theater as I've seen, filled with nice tables down below, luxury balcony suites and even our balcony section wasn't situated too far away. We sat down at the bottom near the railing, so the view was fine.

The show opened with AFI's Director and CEO Jean Picker Firstenberg introducing the event and mentioning facts like Tom Hanks being the youngest recipient of the thirty Life Achievement winners. Then Steve Martin took the stage.

Martin proved again why he should be hosting the Oscars or something every year-witty, erudite and yet bitingly funny, his jokes about Hanks's talent and early roles nicely offset the lavish praises everyone knew would be coming.

The basic structure of the show was this: a movie clip was shown, mostly chronologically, and then a co-star of that movie came out and said a few words. And yes, the idea of a two-hour show of nothing but back-patting and glad-handing for a guy sounds, on paper, a bit grueling. But not only has Tom Hanks made some of the best movies of any of our lifetimes, he's really universally loved by the community and his fans alike. All the comments were so genuine and heartfelt, that the entire evening had a lot of feeling behind it. Sure, there's a chance for something like this to get cloying, or just plain dull, but it never did.

Peter Scolari came out and showed exactly why there was one breakout star from BOSOM BUDDIES...but at least those old, big-haired clips were good.

Luckily, this momentary lull was saved by the always (even GREG THE BUNNY)-funny Eugene Levy, who had a well-timed joke about his prospects of being a movie star...if Hollywood was located in Turkey...

And it went on from there. Hanks' old drama teacher spoke, and we all had shades of the movie IN AND OUT, but decided its best to not really think of that movie ever again. For anyone who might watch, and I have to say, it's much more watchable than some AFI TV shows, I'll leave some things to the imagination. Like Savion Glover's odd BIG dance re-interpretation or Melissa Etheridge's too-enthusiastic rendition of "The Streets of Philadelphia". For all us up in steerage, which included a large contingent of military from all four branches, we amused ourselves on breaks by looking at the seating chart. It listed who was at which table (obviously), so there were many listings for couples like Steven Spielberg and Kate Capshaw, James Brolin and Barbra Streissand, Goldie Hawn and Kurt Russell, and Tom Sizemore and Guest...?

This had me a bit intrigued, knowing who Sizemore's been linked to of late. Was it unknown if she would actually attend the affair, or was there something more sinister in leaving her name off the list? Hmm...

Meanwhile, as the show wound on, we heard from Meg Ryan, "Lieutenant Dan" Gary Sinise, astronaut Jim Lovell and others, and even got a good preview of ROAD TO PERDITION. As the show was beginning to wind down, Steven Spielberg took to the stage, where all the military colors were presented. As he talked about SAVING PRIVATE RYAN and BAND OF BROTHERS, he first had three actors from RYAN take the stage to read a letter from the 1800s that referred to a real-life "Ryan" scenario, as penned by our 16th president. And then he brought out two actual "Easy Company" soldiers, one accompanied by a walker, the other walking out with crutches and his one remaining leg.

Now, it's easy to get jaded by these types of events at times, the back-patting and the self-important talk. And then, other times, you attend these things and leave genuinely touched. Which is exactly how this evening felt, touching. For a number of years now, probably since right after he yelled "Thank God, it's Friday!", Tom Hanks has done little wrong. Everyone loves the guy, and he proves over and over again that this affection is justified. Throughout the night, he met every joke, accolade and toast with the most humility and respect. (This could have been influenced in part by the fact that his mother was seated next to him, but I doubt it) And his speech, as touching as you'd expect, was all class.

So again, as much as some of these events are very skippable, this one comes highly recommended viewing when it airs on the 24th.

As we filtered out of there, steerage-class parting gift in hand, we went down to wait for the valet. Where I stood next to none other than Tom Sizemore's "and guest", Ms. Heidi Fleiss.

See you next time, whenever that may be.

Chris Ryall

SHOOT-BACK HERE! | ARCHIVES












Addicted to Bad
by Patrick Keller

International Intrigue
by Alison Veneto

Nocturnal Admissions
by D.K. Holm

Strange Impersonation
by Kim Morgan

Trailer Park
by Christopher Stipp




New DVD Releases
for April 11, 2006

DVD Diatribe
by D.K. Holm

DVD Late Show
by Christopher Mills




Preachin' from the Longbox
by Britt Schramm

Should It Be a Movie?
by Marc Mason

New Comic Book Releases
for April 12, 2006, 2006




New CD Releases
for April 11, 2006

Music for the Masses
by M.C. Bell




TV Recommendations
Boob toob picks of the week by Chris Ryall

Kentucky Fried Rasslin'
by Scott Bowden

TV Pilot Review Archives
by Chris Ryall



                        © Copyright 2002-2006 Movie Poop Shoot